2025 highlights: 50 wonderful things you need to see

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Fifteen years after my first roundup of “wonderful things,” I return with a fresh collection of memorable moments from 2025. This edition roams TV, movies, books, games and a few viral curiosities. Expect scenes that surprised me, performances that lingered, and a handful of discoveries you might want to add to your watchlist.

Television beats and unforgettable small moments (must-watch shows)

  • Mountainhead (HBO): Jesse Armstrong introduces a tech titan with a tiny, cruel joke in an SUV. The gag lands hard and tells you everything you need to know.
  • The Pitt (HBO Max): A chaotic ED series full of raw life. Katherine LaNasa as charge nurse Dana delivers a line about cities that made me laugh out loud.
  • Pluribus (Apple TV): A hive mind speaks through a soap-star face. Casting Peter Bergman as the comforting broadcast voice is a sly, witty move.
  • All Her Fault (Peacock): Sarah Snook as a desperate, stylish mom chooses a crime that is satisfyingly committed and unforgettable.
  • The Hunting Wives (Netflix after Starz): A daring pickup for a streaming giant. Malin Akerman’s Margo announces herself in the most audacious way.
  • The Studio (HBO): Seth Rogen plays a timid exec. Ron Howard’s cameo meltdown is a highlight of awards-season chatter.
  • The Bear (Season 4): A chaotic wedding episode yields a small, perfect family moment when a character reminds another she is “a Bear forever.”
  • Shrinking: Michael Urie repeats a monologue two and a half times and somehow keeps it hilarious and essential.
  • Black Mirror – “Common People”: Rashida Jones faces corporate custody of a consciousness. The episode turns satire into a chillingly believable future.
  • Too Much (Netflix): Meg Stalter shines in a rom-com on TV. A late-scene lull with music is exactly the quiet beat it needs.

Standout films and the actors who made them sing

  • Jay Kelly: George Clooney and Adam Sandler play an aging star and his manager with tender, elegiac moments at the end.
  • Blue Moon (Richard Linklater): Ethan Hawke becomes Lorenz Hart. Andrew Scott’s portrayal of Richard Rodgers complicates the musical-era myth.
  • Good Fortune: Keanu Reeves as a guardian angel swaps lives. The film’s blunt line about wealth resolving most problems lands with bittersweet irony.
  • The Lost Bus (Paul Greengrass): Apple TV showcases fire sequences best seen theatrically. Matthew McConaughey gives a strong, human center.
  • Song Sung Blue: Kate Hudson anchors a film about a tribute act with warmth and surprising authenticity.
  • If I Had Legs I’d Kick You: Rose Byrne carries the drama with tight, claustrophobic direction from Mary Bronstein. Her performance defines the film.
  • The Life of Chuck: Mike Flanagan adapts Stephen King into a meditation on mortality. Tom Hiddleston’s street dance scene is one of the year’s memorable images.
  • Jay Kelly, Blue Moon and The Lowdown: Ethan Hawke had a remarkable year across projects that showed his range.
  • The Studio and its cameos: A film-world satire that rewards film fans with gleeful in-jokes and strong ensemble work.

Horror, dark comedy and the films that made me squirm and laugh

  • Weapons: Zach Cregger balances terrifying spectacle and absurd humor. A neighborhood chase combines slapstick, dread and social satire.
  • Together: Alison Brie and Dave Franco star in a body-fusion horror that doubles as a blunt metaphor about identity.
  • Companion: A weekend trip turns dark. Jack Quaid nails a smarmy, self-satisfied boyfriend you grow to hate.
  • Final Destination Bloodlines: The franchise stays goofy and finds a moving goodbye for veteran Tony Todd.
  • Drop: An utterly ludicrous thriller premise is kept thrilling by Meghann Fahy’s committed, electric performance.
  • Fight or Flight: Not high art, but the film delivers pulp pleasures. A bottle labeled “TOAD VENOM” promises committed weirdness.
  • Sinners: Ryan Coogler and Michael B. Jordan pull off a daring dual-role conceit with a quiet, uncanny cigarette-passing shot.

Documentaries and personal films worth seeking out

  • My Mom Jayne: Mariska Hargitay examines Jayne Mansfield with rigor and compassion. The film is generous to many points of view.
  • Pee-wee as Himself: Matt Wolf digs into Paul Reubens’ archive. The director wrestles with Reubens’ ambivalence and a final recorded message.
  • Live Aid 40th anniversary doc (CNN): Bob Geldof admits to bold persuasion tactics. The backstage anecdotes are revelatory and, oddly, charming.
  • You Had To Be There: A TIFF favorite about the Toronto Godspell cast. It shines a light on early careers and deserves wide distribution.
  • Documentary craft: Several films this year used archival material to reframe public figures with more nuance than expected.

Books and fiction that stuck with me

  • The Payback (Kashana Cauley): A sharp near-future novel about student loans and menacing debt enforcers. Funny and biting.
  • Best Offer Wins: A thriller about obsessive house hunting that grows darker as the protagonist dives deeper.
  • Fiction trends: Near-future satires and domestic thrillers dominated my must-read list in 2025.

Performances, costumes and design that defined a year

  • Uzo Aduba in The Residence: Her detective Cordelia Cupp combines sharp deduction with a divine, brown-toned wardrobe.
  • Guillermo del Toro’s Frankenstein: Victor’s mother appears in saturated del Toro color—a red dress and flowing veil that feel cinematic.
  • North of North: A Canadian comedy with stunning winter outerwear. If you love coats, this show is a runway.
  • Costume as character: Several shows used clothing to amplify personality and era, from tweed suits to modern leather touches.

Streaming surprises, awards and industry moments

  • Netflix pickups paid off: A major streamer inherited content and saw responses it could not have predicted, with cultural ripples.
  • Emmys and moments: Jeff Hiller’s stunned acceptance and Stephen Colbert’s late-career win reminded viewers why awards still matter.
  • The Studio’s awards haul reflected industry appetite for self-aware satire about movie business oddities.
  • Stranger Things: The final season showed uneven plotting but delivered heartfelt closure in places, and a spinoff is coming.

Games, podcasts and viral clips that entertained me

  • Tiny Bookshop (Nintendo Switch 2): An EC (Extremely Cozy) game about running a tiny mobile bookstore and pairing books to readers.
  • Conan’s podcast: Will Arnett’s episode about text messages after a death is both darkly funny and unusually intimate.
  • Tiny Desk: David Byrne’s concert remains a must-watch for music fans who want a compact, joyous performance.
  • Viral sports clips: Jacob Young’s center-field catch and John Kruk’s Franklin Institute anecdote were pure online gold.

Live events, fandom moments and odd delights

  • Slow Horses panel: A fan in penguin cosplay asked a question that turned into a genuinely great convention moment.
  • Live event surprises: Panels and festivals still produce singular, spontaneous highlights that stay with you.
  • Dog internet culture: Countless canine stars charmed the year. Tuffy, who refused to drop his stick, was a personal favorite.

Sporting highlights and small human victories

  • Baseball joy: A Nationals catch by Jacob Young provided one of the season’s funniest and most fun highlights.
  • Commentary gold: John Kruk’s story about ear-ripping at a museum during a game became the year’s best sports-as-comedy moment.

Finalists in niche genres: romance, queer drama, and ensemble TV

  • Heated Rivalry (Canada): A hockey romance that treated sex and emotion with honesty. Its later episodes delivered raw connection.
  • The Hunting Wives: A show that mixed queerness, explicit scenes and a feverish tone, and found a larger audience on a new platform.
  • Too Much: Romantic TV keeps doing the heavy lifting for modern romance, with actors leaning into slow-build chemistry.

Honorable mentions across formats

  • Colman Domingo in The Running Man as a showman with dangerous charm.
  • Tony Todd‘s farewell scene in Final Destination Bloodlines.
  • Peter Bergman lending soap-opera familiarity to sci-fi weirdness in Pluribus.
  • Meg Stalter‘s rom-com warmth and Will Sharpe’s understated company scene.
  • Michael B. Jordan masterfully playing twins in Sinners.
  • Mia Sara teaching a young character to dance in The Life of Chuck.
  • Peter Dinklage turning a single-day reunion into a full, lived relationship on FX’s The Lowdown.

Where to start if you only have a few hours

  • Watch a single, striking episode: try The Pitt or The Bear for compact, intense storytelling.
  • Stream a film with a powerful central performance: Rose Byrne’s work is a fine starting point.
  • Play something cozy: Tiny Bookshop offers calm, creative gameplay in short sessions.
  • Catch a documentary: My Mom Jayne or the Toronto Godspell film both reward viewers with human stories.

Notable creative risks that paid off

  • Casting choices that subvert expectations, like soap icons used for eerie comfort, made several pieces sing.
  • Blending tones—horror with comedy, satire with real emotion—created some of the year’s most memorable moments.
  • Smaller moments—a gesture, a wardrobe detail, a short monologue—frequently outshone spectacle.

More discoveries to add to your watch, read, and play list

  • Books: The Payback and other sharp near-future satires.
  • Shows: The Lowdown, Pluribus, and The Residence for acting and design.
  • Films: Together, Weapons, and Sinners for genre-bending storytelling.
  • Games: Tiny Bookshop for low-pressure joy.

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