Ryan Murphy’s the beauty review: gory FX body-horror that’s fun but not smart

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Ryan Murphy returns with The Beauty, a glossy, gory FX series that mixes body-horror spectacle with satire of our beauty-obsessed culture. Its opening moments grab attention, the cast gleams, and the show constantly flips between pulse-pounding set pieces and shallow social commentary. Expect familiar Murphy beats and plenty of cinematic nods.

What starts the fire: a runaway opening and the core mystery

The series launches with a cinematic set piece in Paris. A runway model grabs a water bottle and sparks a chaotic chase through the city. That adrenaline-fueled sequence ends in a violent, literal rupture of the body. It sets the tone.

From there, the plot hooks two FBI agents into a growing global emergency. Beautiful people are combusting. The investigation follows clues that take the agents across Europe.

  • The inciting event: an onstage attack and a high-speed motorcycle pursuit in Paris.
  • The mystery: a drug called The Beauty that enhances looks but carries deadly side effects.
  • The stakes: an enigmatic billionaire is profiting, and a hired killer enforces secrecy.

Key players on screen: an ensemble stacked with star power

The cast blends familiar Murphy veterans with high-profile newcomers. Performances vary, but the show uses its roster to sell both glamour and menace.

Main cast highlights

  • Evan Peters plays an FBI agent leaning into action sequences and a romantic subplot.
  • Rebecca Hall is his partner, offering grounded presence amid the chaos.
  • Ashton Kutcher embodies the billionaire entrepreneur behind the drug.
  • Anthony Ramos is the cold enforcer hired to silence trouble.
  • Bella Hadid delivers a memorable, explosive opening turn.

Supporting actors include seasoned Murphy regulars and a long list of actors cast for their striking looks. Some names provide welcome depth. Others serve as eye candy.

Echoes of past films and shows: familiar influences at play

The series wears its inspirations on its sleeve. Think body-horror classics and Murphy’s own TV DNA.

  • Nip/Tuck: surgical satire and cosmetic obsession.
  • American Horror Story: theatrical horror and recurring ensemble members.
  • David Cronenberg: clinical, satirical body horror—The Fly and Rabid come to mind.
  • Death Becomes Her: dark comedy about youth and vanity.

These references enrich the show visually. But they also make it feel cumulative rather than wholly original.

Central themes: beauty, contagion, and modern anxieties

The Beauty asks blunt questions. What are we willing to sacrifice for attractiveness? How do social media and pharmaceutical culture shape desire?

Beyond glossy surfaces, the show flirts with heavier metaphors. The drug’s transmissibility opens space for comparisons to epidemic narratives and historical anxieties about contagion.

  • Social media and peer pressure as drivers of insecurity.
  • Pharma profits and ethical blind spots.
  • Contagion as metaphor for cultural fixation on youth.

At times the series points to these problems. At other times it refuses to interrogate its own role in perpetuating standards of beauty.

Episode structure and pacing: a mix of thrills and detours

Season one spreads ideas across 11 episodes. Some move like action thrillers. Others slow down for character vignettes.

The most effective installments focus on ordinary people. These episodes create emotional texture amid the spectacle.

Standout standalone stories

  • A pair of lab technicians navigate professional and personal stakes.
  • A teenager’s insecurities expose a quieter, sadder side of the epidemic.
  • Episodes under 30 minutes often land tighter and more focused.

Not every standalone lands well. One early story about an online-outcast character leans into leering contempt, undermining its own empathy.

Visuals, effects, and the show’s horror grammar

Makeup and practical effects are a strong suit. Discarded skin suits, vivid ooze, and staged ruptures are executed with technical skill.

The show balances shock with stylized choreography. Sometimes the transformations invoke dance and ritual. The result is unsettling, and often spectacular.

Effects are gruesome but well-made. Fans of body horror will find plenty to admire.

Tone and messaging: scattered critique and missed opportunities

The Beauty often signals that it wants to say something serious about culture. It catalogs modern anxieties like Ozempic diets, pandemic fallout, and pharmaceutical overreach.

But the commentary is fragmentary. Ideas appear briefly and then disappear. That approach leaves the drama feeling provocative on the surface and shallow underneath.

Some viewers could read unintended politics in the show’s skepticism toward medical interventions. Whether intended or not, the ambiguity invites interpretation.

Performance notes: who rises and who gets lost

The cast brings energy even when the writing falters. Some performances stand out for depth and restraint.

  • Evan Peters finds an action-hero groove while delivering quiet emotional beats.
  • Rebecca Hall anchors the procedural elements with poise.
  • Jeremy Pope offers a layered turn that surprises.
  • Anthony Ramos leans into menace, though his arc repeats similar cruelty.
  • Ashton Kutcher plays smarm and ambition, but certain casting choices raise questions.

Recurring performers round out the world, including familiar faces from Murphy’s previous work.

Audience takeaways and where the show sits in Murphy’s catalog

The Beauty feels both like a return to known Murphy territory and a collage of previous genre touchstones. It trades depth for momentum at times. It also returns to familiar pleasures: spectacle, starry cameos, and lurid hooks.

For viewers who want kinetic visuals and soap-operatic shock, the series delivers. For anyone seeking sustained social critique, the show offers hints but rarely commits to a thorough inquiry.

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