Culture

Arrest the Senses: A Guide to Immersive Theatre

I was riveted. In the middle of the night, the counselors had all the 6th-grade campers huddled in the cellar…

Rausch and the Rites of Spring: Amanda Berg Wilson’s Invitation to the Underworld – and Back

This past January, I was organizing a panel for Fort Collins Startup Week called “Arting Up Theater: New Territories and Emerging…

Cirque du Soleil: Corteo

As is the case with most required high school language courses I remember very little of Madame Dulac’s French instruction.…

Who is Fringe?

Fringe is colorful. NS: So, Fringe, who are you? Fringe: Wow, um, big question! I’m a performing arts festival. I’ve…

Amelia Caruso: The Dot Chick

  You’ve seen her work all over the place. Amelia Caruso paints dots. She paints them on transformer boxes as…

Collaboration: Lets Make Something Together (Pt 1)

When I decided to write about performing arts for (Salt) I knew I wanted give the reader insight into artist’s…

The Death of Comics Censorship

By Jon Weller Walk into any comic book store today and you can pick up stories about superhero cannibals, romantic…

Captain’s Happy Hour: The Ritual of “Responsible” Over-Consumption

By Michael Kirkpatrick Fort Collins to Truckee, California in a normal car takes 14 hours.  For us, rolling at a…

RUMBLE: Indians Who Rocked the World

In 1958, a song emerged from the depths of musical genius that would change the history of music forever: the…

AN EVENING OF CHOPIN & BALLET: Les Sylphides and Etudes by Canyon Concert Ballet

When Canyon Concert Ballet’s (CCB) founder, Carol Torguson, a bright and enterprising young woman from Sanborn, ND, launched an incorporated,…